![]() ![]() Unlike you Tim, I was never interested in rigid music-I always wanted a story-based progression. Once I began sampling, my projects became more track-based, but I never did it seriously. I’d also record movie soundtracks, cut out the dialogue and extend the ambient part to make audio plays. Werner: I started playing with tape recorders to make soundtracks for games I played. I didn’t even consider trying to sound different until I was well into my 20s. At the time I was into house and jungle, so I wanted to achieve fairly sequenced eight-bar music. The sound quality was horrendous, but it planted the seeds of digital music in me. It also had a super rudimentary software synthesizer with the precursors to the graphical interface we see in Reaktor and all other digital modulars. There was a free CD on the cover of a magazine with this wave editor thing. Tim Exile: I first started messing around with sound on a PC in ’94 or ’95 when I was around 14. Their respective music is inseparable from the innovation and playfulness that Reaktor encourages, and here they explore a deep appreciation of the elegance of systems that open up such possibilities. Werner, who has previously talked tech on Slices, has pushed musical boundaries for decades as a member of the influential duo Mouse on Mars and guest director at Amsterdam’s Institute for Electronic Music (STEIM). As a pioneering instrument builder for Reaktor, Exile has contributed directly to its development with innovative programs such as the recently revealed Flesh and has also released his own music on established electronic labels Warp and Planet Mu. It unites the digital and analog worlds by bringing modular methods to computer production platforms, and that’s a pretty precocious move considering the reinvigorated interest in modulars among contemporary electronic musicians, including Jan St Werner and Tim Exile. A few months ago, Native Instruments rolled out a new edition of its Reaktor program, Reaktor 6, which models a software music production studio after a modular synth rack with over 30 oscillators, filters, sequencers and effects. ![]()
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